I hope you find these pieces of jazz vocabulary fun and useful to practice. These lines are incredibly useful because they have such an iconic and classic sound and because they clearly outline the underlying harmonies.
Anyway, I was intrigued myself in this and started googling. For example, tap dotted 8 th notes with your foot while playing the lick, or tap your foot in ¾ time (once every 3 beats) while playing a lick in 4/4, or play a lick with a 6/8 feel while tapping your foot in ¾ time, tap a clave (like the classic 3-2 clave – google it for examples) Despite me being a amateur classical pianist, I initially thought you meant 'biologically triplets in pop bands'. Tapping your foot and/or setting a metronome to a different meter while practicing.Trying to transform the lick into another meter.Turning it into a rhythmic exercise as well by:.Turning lick exercises into “range” exercise by playing the lick in your highest and lowest registers.title Les Triplettes de Belleville (The Triplets of Belleville) that later. You can have a lot of fun by rhythmically displacing or transforming the melodic ideas you’re practicing in all 12 keys.Ĭheck out this great lesson that may spark some rhythmic ideas for you to try. I went to work with one assistant and with Nicolas de Crcy designing the. Practice them in different meters and rhythmic subdivisions.įor example, as 8 th notes, then 8 th note triplets, quarter note triplets, etc. Here’s a podcast episode that talks more about taking licks through all 12 keys. As jazz musicians, we have to play a lot of different tunes in a lot of different keys, so we always need to constantly sharpen our ability to play competently in all 12 keys. It’s a great way to work on your ears, technique, and theoretical knowledge all at the same time. Want to know what rhymes with triplets When youre writing a song, rhyming words are as important as melody and lyrics.
#Melody assistant triplets how to
Here’s my take on how to practice licks: Practice them in all 12 keys with and then without a metronome. I call it this because the downbeats of each measure outline a 9-b13-9 voice leading line. Here are three inescapably useful and common melodies that revolve around altered dominant 7 th chords that are worth learning in all twelve keys: Altered Lick #1:Īltered Lick #2: The “Cry Me A River” Lick As an example, if the 3/4 tempo was quarter-note 72, the 4/4 would be quarter-note 72x2/3 48. In this post, I’ll go over the licks and then I’ll discuss some important ways you can practice them. If you write the group as a triplet, that means the tempo is 2X/3 quarter notes per minute. Then you can improvise variations based on these classic melodies.
Once they’ve been internalized, they can be used as core melodic ideas that improvisers can use as starting points. There are some melodic lines that are so iconic that, despite my outspoken general opposition to the idea of “ lick playing,” I believe every jazz musician should practice and memorize them in all 12 keys.
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